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AMERICAN VIOLIN CONCERTOS
Ittai Shapira

 

 

Artist(s):
Ittai Shapira, Violin
Neil Thomson, Conductor

Israeli virtuoso violinist Ittai Shapira is a distnguished performer and composer, the recent disc of performances of his own compositions on Champs Hill Records (“The Old Man and the Sea” CHRCD032) demonstrates this admirably.

Ittai Shapira’s American Violin Concertos disc brings together three diverse concertos whose composers have in common a vivid and expressive writing style for violin and orchestra.

Italian-­‐American composer Menootti wrote his violin concerto as a tribute to his former teacher the Russian-­‐born violinist Efrem Zimbalist. He managed to capture Zimbalist’s character as a violinist, ‘noble, fine-­‐grained, never extrovert’, in this work without inhibiting the need for display in a concerto. The virtuosity of the violin is tempered by the overall tone, which is enigmatic and intimate, with lyrical, singing lines for the soloist.

Barber’s Violin Concerto was originally commissioned in early 1939 by the affluent soap manufacturer Samual Fels to be performed by Fel’s adopted son Iso Briselli. Although Briselli claimed that the first two movements were ‘too simple, not brilliant enough’ he inevitably found the finale too taxing and the commission was withdrawn. Barber’s Violin Concerto was finally premiered in 1941 by Albert Spalding, with the Philadelphia Orchestra under Eugene Ormandy, and critics hailed it for being ‘refreshingly free from arbitrary tricks and musical mannerisms’ with ‘straightforwardness and sincerity being among its most engaging qualities’. Since then it has become a favourite 20th century work for the instrument.

In its world-premiere recording, Washington born composer Theodore Wiprud’s Violin concerto, ‘Katrina’ was wrtten for Ittai Shapira. This work is Wiprud’s first concerto for a solo instrument with orchestra, and reflects not only the devastation and destruction caused by Hurricane Katrina but a hopeful undercurrent, with emphasis on the varied and deeply felt musical life of the whole Delta. ‘Katrina’ explores the power and importance of music in times of struggle;

Please note that, whilst the booklet notes here rely on a number of accepted, published sources, the family of Iso Briselli dispute some of the detail regarding the commissioning of the Barber violin concerto: you may read more at www.isobriselli.com



 

 


Please note that, whilst the booklet notes here rely on a number of accepted, published sources, the family of Iso Briselli dispute some of the detail regarding the commissioning of the Barber violin concerto: you may read more at www.isobriselli.com


"A fascinating disc all round, and one with something to suit all tastes."

Gavin Dixon, Classical CD Reviews

“Its slow movement, beautifully captured by Ittai Shapira, conveys a strange feeling of loss and disillusion, but at the same time reinforces the fact that the essence of the life force behind the music itself will never die.”

Jean-Yves Duperron, Classical Music Sentinel

"Shapira takes command in this vintage Barber - and the finale is stunning."

Peter Dickinson, Gramophone, March 2013

   
   

Copyright © 2015 Champs Hill Records